Filipe Manuel Neto

**A remarkable work.** This is one of those films that I decided to watch without having a clear idea of ​​what I was going to find. I know that there are many people who like to know, read and even watch the trailers to decide what to watch, and I also do this moderately, but one of the sensations I like most in the cinematic experience is surprise, that feeling of pleasure, difficult to describe, that happens when a film pleases us and surprises us. Of course, the opposite could happen, the surprise could be bad, and the film could be magnificent rubbish. It happens! But I think you understand me... Robert Altmann is not a director I know much about. As far as I remember, I've only seen one film of his, “Shortcuts”, and I wasn't particularly impressed. However, I think any director has their ups and downs, and you can't categorize anyone for just one film or two. In this film, Altmann surprises in a positive way, with very careful direction and an attention to detail that I was very pleased with. The cinematography is good, the editing is very well done, and the rhythm is quite pleasant, with no dead moments. The opening scene is a true cinematic masterclass, with almost ten minutes without cuts and lots of camera movement. And throughout the film, the feeling that prevails is that we are led to peek, in secret, into a story that no one wants to be known. The script fits perfectly into this feeling of secrecy, taking us behind the scenes of the film industry through the hands of an arrogant and obnoxious producer who finds himself the target of anonymous death threats. He decides to question the person he suspects of, a screenwriter he ignored for many months, and ends up killing him. From then on, viewers are invited to follow him in his attempts to hide everything, along with the studio he works for, which has little interest in scandals. This is, obviously, a punch in the stomach of the Hollywood industry, where there is no shortage of unscrupulous, arrogant, pedantic, obnoxious people, willing to do anything for ambition, and where the moral conduct of the studios has not always been the most immaculate, preferring to ignore and /or hush up compromising situations whenever possible. With these characteristics, the film had everything to cause hives in many people within the industry. However, it did surprisingly well, garnered a lot of praise, a good box office and was nominated for three Oscars, continuing to be, even today, a film that is regularly shown on TV channels specializing in films. If the technical quality and the intelligent and scathing story are fundamental, the cast also contributed with the union of talents of several renowned actors. Tim Robbins leaves us with one of his most notable works as an actor, with a consistent and impactful acting, and is elegantly accompanied by Greta Scacchi who, in addition to resisting the idiotic idea of ​​appearing naked for no reason, knew how to interpret her character in a deep and controversial. In addition to them, the film also features good performances by Pater Gallagher and Whoopi Goldberg in minor characters, and with a veritable rain of cameos and brief appearances by actors, screenwriters and others, playing themselves, with many of them agreeing to donate the salary for that single day of filming for a social project at the time. The procession of notables is almost endless, making this film perhaps the American film with the most cameos and guest stars in the history of commercial cinema.